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Archive for October, 2009

PCNW Hosts Society for Photographic Education Regional Conference

Friday, October 30th, 2009

Don’t forget!  Our friends at the Photographic Center Northwest are hosting the Society for Photographic Education Regional Conference next week from November 6-8.

SPE is a non-profit membership organization that provides a forum for the discussion of photography-related media as a means of creative expression and cultural insight.  This year’s regional conference will feature teachers, artists and demonstrations that highlight photographic education in the Pacific Northwest.

Registration (PDF download) is still open and starts at only $35.

- Bart J. Cannon, Program Manager

More Opportunities For Photographers

Friday, October 30th, 2009

 

Boutographies Photography Festival
Deadline: November 30, 2009

The Boutographies - Rencontres Photographiques de Montpellier, is a competition open to all photographers, amateurs or professionals, living and working in Europe.  The criteria for selection by jury are a high creative level, originality and a coherent personal vision.  There is no theme.  Please send up to 20 printed images and 10 Euros admin fee.

Shooting From The Heart - Introduction To Fundraising

Thursday, October 29th, 2009

This is it: sooner or later you will have to bite the bullet and raise funds to develop and complete your documentary project.  If you are like most of us, asking for money is something you don’t want to do.  To be successful, you first must get over this reluctance to ask for support.

Is your project worthwhile?  Do you believe your project will add value to people’s understanding of its subject?  Do you believe that spreading this knowledge is important?  Is your project truly meaningful?  Your answer to these questions is already yes or you would not be working on it.  The next step is to help others understand why this project is valuable.  Fund-raising is more than just asking for money; it is about building relationships with people who care about your work.  When others learn about the valuable work you are doing, you have created an opportunity for them to participate in your project by providing financial support.  If you are truly convinced of the benefit of your work, you should be able to be your own best missionary.

Blue Earth project photographers who were successful fund-raisers each believed their project was so important that people would love to have the opportunity to contribute to something that valuable.

Do you need to be a nonprofit with 501(c)(3) status to raise funds?  The answer is no, but it may affect the way you go about fund-raising.

You may be able to get contributions from a business even if you do not have 501(c)(3) status if the contribution is for a legitimate business expense.  The most usual business expense category is promotion.  You must, however, offer a promotional benefit to the business, and that should be stated up front.  Recognizing the business as a sponsor in publications, exhibits, or promotions for exhibits is a typical way to create an advertising and promotion business expense.

If you do have 501(c)(3) status, individuals can take a charitable deduction for contributions made to your project.  However, this contribution is limited to the amount by which the contribution exceeds the fair market value of anything received in return for the contribution.  For example, if your fund-raising involves the usually successful method of giving a print in exchange for the contribution, the donation will not be tax deductible if the fair market value of the print equals or exceeds the amount of the donation.  In this case, 501(c)(3) status is not relevant.

As an example, a now very successful photographer in the North-west funded 10 of his photographic trips by asking individuals to contribute to his anticipated trip expenses in exchange for the right to select a print from images taken on the trip.  The donation for each print was set at a price slightly below the photographer’s usual selling price.  When the photographer returned from his trips, he would set up a special exhibit so the donors could view the images and select their print.  This also whetted the appetite of the donors for the next round of prints from the next trip.  This method was successful in funding the trips without 501(c)(3) status.

However, if you have donors who contribute to your project with-out receiving anything in return, their gift will be tax deductible only if they make that donation to a registered nonprofit.

If you have 501(c)(3) status, charitable contributions by corporations and businesses are also tax deductible, and likewise are subject to the limitation that the contribution must exceed the fair market value of anything received in return.  In-kind contributions are also tax deductible.  It is important to remember that individual charitable donations by employees are oftentimes matched by their employer if the donation is made to a registered nonprofit.  This is another way in which businesses can help contribute to a project.

Frequently, a business entity or an individual may be unwilling to give money but quite willing to give in-kind contributions.  Be aware of what types of things such individuals and organizations may sell or produce to see if any are usable by you directly or through an auction or other fund-raising device.  It’s also important to remember that in-kind donations, and cash contributions, can be used to match funds raised through a grant.

Additionally, if you have 501(c)(3) status you will be able to apply for grants from more foundations than if you were applying as an individual artist.  Most foundations are required by law to each year give away 90 percent of their income to nonprofit organizations with 501(c)(3) status.  They cannot meet this obligation by giving funds to individuals.  Thus, this fund-raising avenue is not available to your project unless your project has 501(c)(3) status through a nonprofit organization.

Some foundations do give funds to individuals.  The method of applying these foundations is usually similar to that of applying to foundations whose contributions may be made to nonprofit organizations only.  Several government agencies also will provide funding for worthwhile projects.  These agencies may or may not require that the applicant be a nonprofit organization.  Thus, the material in this book about applying for grants has universal application.

All foundations and some businesses have specific procedures to follow in seeking funds.  Before you apply, make sure your project is of the type that the funder is interested in.  That information is readily available from potential funders.  Don’t waste your time, and theirs, applying for funds for a project that does not meet the funder’s interests.  Once you have found a grant source that aligns well with your project, read through the entire application (paying special attention to deadlines and application procedures).

Surprisingly, one of the most commonly cited reasons for rejecting a proposal is that the applicant failed to follow the organization’s rules about applying for funds.  Another common difficulty is that the applicant does not directly answer all of the questions in the grant application in a clear and concise manner.  You must be compelling and concise if you expect your application to be seriously considered by the individuals who decide who will be funded.  Foundations are usually flooded with funding requests, and you have to  draw attention to the uniqueness of your project.  If you need it, get help writing.  The clearer your application can be, the better chance you have of receiving funding.

Judy de Barros, Malcolm Edwards, and Marissa Chavez

 

This series features selected articles from Shooting From The Heart: Photography That Makes A Difference, our highly regarded handbook for photographers developing documentary projects.  If you can’t wait for the full series to be published, feel free to download a free PDF version of Shooting From The Heart and have a copy to keep as your own!

Become A Fan Of Blue Earth

Tuesday, October 27th, 2009

Blue Earth has a new fan page on Facebook!  While we’ve had a presence in the Facebook community for some time, we now have a dedicated fan page for our online friends.  Login to Facebook and become a fan to keep up-to-date with events, news, and project updates direct from our photographers.

- Bart J. Cannon, Program Manager

Blue Earth Photographer Gary Braasch At The Frye

Monday, October 26th, 2009

Bangladesh eroding. Bangladeshis on the edge of an eroding village south of Dhaka, only a about a meter away from inundation by the next storm or flood. A one meter rise in sea level will displace 20 million people and flood 10 percent of Bangladesh. © Gary Braasch

Bangladesh eroding.  Bangladeshis on the edge of an eroding village south of Dhaka, only a about a meter away from inundation by the next storm or flood.  A one meter rise in sea level will displace 20 million people and flood 10 percent of Bangladesh.  © Gary Braasch

 

Don’t forget to mark your calendars!  This week Blue Earth will be hosting photographer Gary Braasch presenting “Climate Change: A World View of Global Warming,” the first in our 2009-2010 lecture series on documentary photography focusing on global environments, social, and cultural issues.  Braasch will be speaking in Seattle at the Frye Art Museum this Saturday, October 31 at 2 p.m.

Braasch presents a compelling and inspiring view of the world today through his exploration of our planet.  He brings nature, science and our relationship with them into focus through a reporter’s eye and engaging photographs made from pole to pole.  Tickets available at the door.  Free to Blue Earth members; $10 for non-members; $5 for students with ID.

Is your membership up-to-date?  Renew today and attend all events in the Blue Earth Lecture Series for free!

- Bart J. Cannon, Program Manager

Lydia Lum On Angel Island, Day 2

Friday, October 23rd, 2009

© Lydia Lum

© Lydia Lum

 

© Lydia Lum

© Lydia Lum

 

Say the phrase “Ellis Island of the West,” and a certain image comes to mind, doesn’t it?  When Europeans sailed to America and saw the Statue of Liberty, they knew their trip was nearly over.  They considered Ellis Island a dream destination.

But Angel Island, which is a short ferry ride from San Francisco, was not a place that Chinese immigrants looked forward to.

Back in China, the villagers would spend months at a time preparing for the interrogations that they expected at Angel Island.  The answers to the questions would be compared to those of their sponsors in the U.S., who were cross-examined by the officials running the immigration station.  If answers between immigrants and sponsors didn’t match, immigrants could be deported to China.

These questions were nitpicky.  They revolved around the immigrants’ families, villages and lives in China.  For instance:

“How many windows are in your home?”
“What direction does each window face?”
“How many water buffalo does each family on your row own?”
“Describe the route to your grandparents’ graves.”

The overwhelming majority of Chinese who came through Angel Island were boys and young men like my Uncle Raymond who went through this ordeal in hopes of going on to find jobs in San Francisco—laundry, restaurant, herb shop—that would allow them to send money home to their impoverished families and villages.  By “young men,” I mean ages 9 or 10, 12 or 13, for the most part.

I was reminded of how young some of the immigrants were when I visited Angel Island recently for the first time in several years.  To see a child’s clothing or pair of shoes is sobering, to say the least.

Lydia Lum

 

Lum’s current project with Blue Earth is Angel Island: The Ellis Island of the West.

Lydia Lum On Angel Island

Wednesday, October 21st, 2009

© Ludia Lum

© Lydia Lum

 

© Ludia Lum

© Lydia Lum

 

Greetings!  My esteemed colleague and fellow project extraordinaire John Trotter chronicled some of his recent travels in highly entertaining fashion.  After re-reading them prior to starting this blog entry, I think we should commission a how-to blog on how to blog after John blogs on the BEA blog…

If you’re unfamiliar with Angel Island, often called the Ellis Island of the West, let me introduce you.  It’s a state park in California, near Alcatraz.  For Chinese immigrants such as my late great-uncle Raymond, Angel Island was their first American home if they arrived here between 1910 and 1940.

But rather than a welcoming gateway, the Angel Island immigration station was better known as “the Guardian of the Western Gate.”  It was a veritable prison.  Some 175,000 Chinese were detained there and interrogated for days, even months in some cases.  Why?  Because Americans already here were trying to protect jobs they believed were their birthright; they feared competition, that the Chinese would take away jobs.  The idea behind Angel Island was to keep the Chinese out, to discourage them from making the trans-Pacific voyage in the first place.

A broad part of my project involved interviewing and photographing some of the surviving Angel Islanders.  There aren’t many living.  My uncle Raymond passed away a few years ago.  I feel fortunate he shared much of his story with me.

“We had nothing to do at Angel Island except wait,” Uncle Raymond recalled.  “I was so scared.  But my dad had told me this was a part of life.  All Chinese going to America went through this.”

Uncle Raymond was at Angel Island for three months, shoehorned into a 2,700-square-foot room of triple-tiered bunks where he and more than 200 other Chinese immigrants languished.

Can you imagine how crowded that is?  Many of us (although not me) own homes, where, let’s say, a family of 4 might live in 2,000 square feet.  You can see my point, I imagine, when considering a room of 2,700-square feet for 200 people.

I recently returned to Angel Island, which reopened to the public this year after a major phase of a large-scale preservation and restoration project.  Some portions of the barracks where Uncle Raymond and other men stayed now contain props and staging, to try to re-create some sense of what the place might have been like, what it might have felt like to live there day to day, month to month.

As you’ll notice in the images, there’s no semblance of privacy—at all.  Strangers were lumped together, like cattle in a pen.  I didn’t measure the bunks but estimate the “bed” to be about 18 inches wide.  To me, the bed seemed smaller than say, the front door of a house.

The staged set-up also included one of the original bunks.  It’s the rusted one.

Lydia Lum

 

Lum’s current project with Blue Earth is Angel Island: The Ellis Island of the West.

Greg Constantine Receives OSI Grant

Tuesday, October 20th, 2009

The Open Society Institute Documentary Photography Project recently announced the winners of its 2009 Distribution Grant competition.  Blue Earth project photographer Greg Constantine was selected as one of four recipients for his work with The United Nations Refugee Agency.

The goal of the Distribution Grant program is to support documentary photographers who have completed a significant body of work on issues of social justice to devise—in collaboration with a partner organization—new and innovative ways of using photography as a tool for positive social change.  Projects must be designed in a way that will resonate with the target audience, encourage community engagement, and have a meaningful and lasting impact on the communities or issues addressed in the images.

At the end of 2008, Greg was commissioned by the UNHCR to spend a month documenting the impact that statelessness and the denial of citizenship have had on the Nubian community in Kenya, most of whom live in the Kibera slum in Nairobi.

Our congratulations to Greg on this honor!

- Bart J. Cannon, Program Manager

Benjamin Drummond & Sara Joy Steele at Mumm Napa on Saturday, Nov. 7th

Thursday, October 15th, 2009

Facing Climate Change: The Tinder People. Forest Service firefighters mop up a lightning fire during initial attack in Washington's Methow Valley. Drought and warmer temperatures fuel more frequent and intense wildfires. Over the past five decades, the top five years for US acreage burned have occurred since 2000, and most climate models suggest that things will get worse. © Benjamin Drummond

Facing Climate Change: The Tinder People. Forest Service firefighters mop up a lightning fire during initial attack in Washington’s Methow Valley. Drought and warmer temperatures fuel more frequent and intense wildfires. Over the past five decades, the top five years for US acreage burned have occurred since 2000, and most climate models suggest that things will get worse. © Benjamin Drummond

 

The Ansel Adams Gallery and Blue Earth are proud to host an inspiring photo exhibit and lecture series featuring our dramatically changing planet titled “Changing Earth: Photographer’s Call to Action” at Mumm Napa Fine Art Photography Gallery through March 13, 2010.

The first in our lecture series will feature Blue Earth project photographer Benjamin Drummond & Sara Joy Steele on Saturday, Nov. 7th 2009, 10:30-11:30 a.m. Benj and Sara’s presentation illustrates global change through local people by interweaving multimedia, stills and stories from the American West and three Nordic communities. They will also share their newest work about some unlikely citizens that are addressing solutions to climate change.

As a documentary team, Benjamin Drummond and Sara Joy Steele have been telling stories that connect people and nature through photography, field audio, and writing for almost a decade. Their personal project, Facing Climate Change, documents communities around the world as they confront and adapt to the complex issues surrounding global warming. Over the last two years Facing Climate Change has been featured in Photo District News, Orion Magazine and Mother Jones, in exhibitions from Seattle City Hall to Houston Center for Photography, and as a multimedia presentation shown at a variety of venues, from colleges and prisons to art galleries. Benj and Sara are currently based in Seattle, Washington. Visit Facing Climate Change to learn more about their work.

Mumm Napa Winery is located at 8445 Silverado Trail, Rutherford, CA 94573. For directions call (707) 967-7700. Visitor center and fine art photography gallery hours are 10 a.m.-5 p.m. daily. Series lectures are free and open to the public, but please RSVP at (707) 967-7740 to guarantee seating.

Lecture Schedule
Nov. 7th - Drummond/Steele, “Facing Climate Change”
Dec. 5th - Camille Seaman, “Connection and Purpose”
Feb. 6th - Stephen Harrison, “Visualizing Earth”
Mar. 6th - John Trotter, “The Future of the Colorado River”
Mar. 13th - Florian Schulz, “Freedom To Roam” and
Daniel Beltrá “Amazon: Forest at Risk”

Truth In Photography

Thursday, October 15th, 2009

New photography blog alert!  This month Robert Semeniuk is launching Truth In Photography, his new blog about photography, his views on the world, and his continuing work.  His very first entry in his new blog summarizes his approach rather nicely: “The world is a mess.  It’s time to change the way we see and not the way we look.”

- Bart J. Cannon, Program Manager

Facing Climate Change Wins “Grant For Change”

Tuesday, October 13th, 2009

Grant for Change

Nau has just announced the winner of their first annual Grant for Change.  We are very happy to congratulate Blue Earth photographer Benjamin Drummond and Sara Joy Steele for winning with their project Facing Climate Change.  The Grant for Change award carries a $10,000 prize and is offered to support the work of those “who instigate lasting, positive change in their communities.”  Their project was selected as the award winner from a list of almost 300 nominees.

If you’d like to join Nau in supporting their Facing Climate Change project, readers of our blog can make a donation through Blue Earth.

Visit their new website to learn more about Benjamin Drummond and Sara Joy Steele’s ongoing work.  And once again, our congratulations!

- Bart J. Cannon, Program Manager

Daniel Beltrá’s Prince’s Rainforests Project In New York

Tuesday, October 13th, 2009

If you are in the New York region this fall, an exhibition of photos from Daniel Beltrá’s Prince’s Rainforests Project, featuring 26 large-scale prints, is making an appearance in Manhattan.  Beltrá has been busy recently, just opening a new show from his rainforest project at London’s Kew Gardens last week.  This new exhibition is hosted by the Corps Action Center (also known as The Action Center to End World Hunger), 6 River Terrace, Battery Park City in New York, open weekdays 10 a.m. to 6 p.m., and runs from October 1 through November 15.

- Bart J. Cannon, Program Manager

“Life In Peril” Art Auction

Thursday, October 8th, 2009

"Life In Peril" Art Auction

Blue Earth project photographer Rozarii Lynch is holding an art auction fundraiser to support ongoing work for her project Life In Peril: Tanzanian Albino People.  If you are in town Thursday, October 29th, from 7-9 p.m. we encourage you to join us for a fun evening in support of a great cause.

Enjoy an evening of music, art and more at fun and vibrant Local Color Café in the heart of Pike Place market.  Don’t be outbid on Art donated by talented artist Stephanie Hargrave, Rich Araluce, Sam Day, Shawn Foote, Lisa Siciliano, Brent Osborne, Rozarii Lynch, Tushar Sharma, Jill Hill, Bernard Hymmen, Lance Lobuzzetta, Amanda Mae, Elise Bakketun, Declan McKiernan & Darla Rae Barry Benson.

Have your Caricature sketched by renowned artist Sam Day, win a flight to San Juan Island, tickets to the Seattle Opera, or a Black & White photo of the legendary BB King…

Most of all feel good that you are supporting a social change project “Life In Peril: Tanzanian Albino People.”  Victims of superstition and the growing trade in human body parts, Albino People in Tanzania are in constant fear of attach and mutilation.  They urgently need our help to protect them now, and in the long-term, to educate the perpetuators, end social discrimination, and improve their appalling health and economic problems.

Don’t forget - readers of our blog can always directly donate to support Life In Peril through our website.

- Bart J. Cannon, Program Manager

Daniel Beltrá At Kew Gardens

Wednesday, October 7th, 2009

Aerial view of the flooded area west of Santarem, Brazil.  One of the most extreme droughts recorded in the Amazon was followed by one of the worst floods, straining the local population even further. © Daniel Beltrá/Greenpeace

Aerial view of the flooded area west of Santarem, Brazil.  One of the most extreme droughts recorded in the Amazon was followed by one of the worst floods, straining the local population even further. © Daniel Beltrá/Greenpeace

 

Blue Earth photographer Daniel Beltrá was recently at London landmark Kew Gardens to open a new exhibit sponsored by the Prince’s Rainforest Project.  Our readers may recall that Beltrá was presented the Prince’s Rainforest Project Award this spring at the Sony World Photography Awards.

The new exhibit and his ongoing work for the project are receiving increasing acclaim in the world’s media.  We thought a roundup of a few articles might be in order:

Focus on the Rainforest by Daniel Beltrá

Daniel Beltrá’s photographs of deforestation in the Democratic Republic of Congo

New photos highlight rainforest devastation

Prince’s Rainforest exhibition opens at Kew

Exposição em Londres traz fotos de tribo brasileira ameaçada por hidrelétrica

Fotos que luchan por el planeta

Daniel Beltra’s photographs of rainforests in the Amazon, Indonesia and Congo

Forest snaps are ribbit-ing

Q & A: Daniel Beltrá, environmental photographer

 

- Bart J. Cannon, Program Manager

Facing Climate Change In PDN

Monday, October 5th, 2009

Sámi reindeer herder Ellen Karin Gaup, Norway. © Benjamin Drummond and Sara Joy Steele

Sámi reindeer herder Ellen Karin Gaup, Norway. © Benjamin Drummond and Sara Joy Steele

 

In case you aren’t a regular subscriber, head down to the newsstand and be sure to pick up a copy of PDN’ special issue The Concerned Photographer before they’re gone.  The issue is intended to “celebrate photographers who are not just documenting problems, but actively working to solve them.”  Benjamin Drummond and Sara Joy Steele’s Blue Earth project Facing Climate Change is featured both in the issue as well as on the cover.

You can also read more about the article in Benj & Sara’s own blog.

- Bart J. Cannon

Latest Blue Earth Project Updates

Friday, October 2nd, 2009

Our project photographers are a busy group!

Bert Teunissen continues to travel for his Domestic Landscapes project, recently adding 41 amazing new images to his project archive from his recent visit to Poland.  More trips are planned in the near future.

Heather McClintock will be one of several artists featured in the a new exhibition of the Center’s Award Recipients from October 8 - November 25 , 2009 at the Photographic Center Northwest, 900 Twelfth Avenue in Seattle.  The exhibition highlights the Center’s 14th Annual Project Competition Award Winner and Singular Image Award Winners.  There will be an Opening reception October 8, 5-8 p.m. and an informal Artist’s Talk with Cori Chandler-Pepelnjak at 5:30 p.m.

Former Blue Earth photographer Frans Lanting’s “LIFE: A Journey Through Time” will be shown in Italy, Mexico, and London.

  • Marin Alsop, Principal Conductor of the Baltimore Symphony Orchestra, and Music Director of California’s Cabrillo Festival of Contemporary Music, will conduct the London Symphony Orchestra in a special performance of LIFE at the Barbican in London on Sunday February 21, 2010.

Annie Marie Musselman has just added 9 new photos to her expanding Finding Trust project gallery, all featuring patients at the Sarvey Wildlife rehabilitation sanctuary.

Two photos by Jon Orlando were chosen for the “Visions of Peace” project in Denver, CO.  Visions of Peace, sponsored by the Colorado Department of Peace Campaign, is a campaign to create a “national department of peace.”

  • Walker Fine Art Gallery, 300 W 11th Ave # A, Denver, CO 80204.  Visions of Peace event during the First Friday Art Walk, October 2, 7-9 p.m., running through November 1.
  • Mercury Café, 2199 California St. Denver, CO. Visions of Peace event on October 18, 5:30-8 p.m.

Don’t forget to mark your calendars!

- Bart J. Cannon, Program Manager

Gary Braasch At The Frye Art Museum, Oct. 31st

Thursday, October 1st, 2009

Bangladesh eroding. Bangladeshis on the edge of an eroding village south of Dhaka, only a about a meter away from inundation by the next storm or flood. A one meter rise in sea level will displace 20 million people and flood 10 percent of Bangladesh. © Gary Braasch

Bangladesh eroding. Bangladeshis on the edge of an eroding village south of Dhaka, only a about a meter away from inundation by the next storm or flood. A one meter rise in sea level will displace 20 million people and flood 10 percent of Bangladesh. © Gary Braasch

 

We are pleased to announce that Blue Earth will be hosting photographer Gary Braasch presenting “Climate Change: A World View of Global Warming,” the first in our 2009-2010 lecture series on documentary photography focusing on global environments, social, and cultural issues.  Braasch will be speaking in Seattle at the Frye Art Museum on Saturday, October 31 at 2 p.m.

Gary Braasch presents a compelling and inspiring view of the world today through his exploration of our planet.  He brings nature, science and our relationship with them into focus through a reporter’s eye and engaging photographs made from pole to pole.  He is an environmental photojournalist who creates remarkable images and important documentation about nature, environment, biodiversity and global warming.  Braasch provides a broad review of the implications of rapid climate change for our daily lives, corporations, cities and international relations, and creates a vision of how we can slow global warming and improve the lives of people everywhere.  His presentation is a call to action to citizens, leaders, and governments and has an exhibit of large prints and work from his children’s book on climate change currently at the Headquarters of the American Association for the Advancement of Science in Washington, DC.

Gary Braasch was awarded the Ansel Adams Award for conservation photography by the Sierra Club and named Outstanding Nature Photographer in 2003 by the North American Nature Photography Association.  He is a “Legend Behind the Lens,” an honor by the Nikon Corporation recognizing photographers worldwide, and a founding Fellow of the International League of Conservation Photographers.  Major assigned articles and portfolios have appeared in Time, LIFE, Scientific American, BBC Wildlife, and National Geographic.  His books include Earth Under Fire: How Global Warming is Changing the World, 2007; How We Know What We Know About Our Changing Climate, 2008; Photographing the Patterns of Nature, 1999; and Entering the Grove, 1990.  The United Nations used Braasch’s images exclusively for a set of six stamps about climate change in 2008.

Tickets available at the door.  Free to Blue Earth members; $10 for
non-members; $5 for students with ID.

 

Lecture Series Schedule

This lecture will be the first in a series of informative lectures that Blue Earth will host in the upcoming year.  Scheduled lectures include four current Blue Earth photographers:

October 31, 2009
Gary Braasch “Climate Change: A World View of Global Warming”

January 9, 2010
Annie Marie Musselman “Finding Trust: My Discoveries At A Small Wildlife Sanctuary”

March 13, 2010
Stephen Harrison “The Brain Through The Eyes Of The Beholder: New Explorations in Art, Neuroscience and Cognition”

May 15, 2010
Jon Orlando “Warriors for Peace: Stories of Resistance and Renewal”

 

Is your membership up-to-date?  Renew today and attend all events in the Blue Earth Lecture Series for free!