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Archive for December, 2009

Shooting From The Heart - Grassroots Fundraising

Thursday, December 31st, 2009

In this world of limited funding, you have to be creative.  Don’t overlook small funding opportunities.  I learned the value of soliciting small donations when I was trying to raise funds for a trip to China to photograph an international conference on women.

A grant from the Mother Jones Foundation covered my airfare and lodging.  But I needed film and money for food and transportation while in China.  I turned to my friends and business associates for help.

It’s very important to ask your friends who they know and if they can refer you to their connections.  When I described my upcoming trip to a friend who works at Microsoft, he went to bat for me and convinced the company to donate a computer.

Because I buy almost all of my photography supplies from one store in Seattle, I asked them if they could donate film.  They did.

One of the most successful fund-raising techniques I used was my postcard campaign.  I needed money for incidental expenditures.  I offered to send friends and acquaintances postcards from China if they donated $5 or more.  I was surprised and pleased that the average donation was $25.  As an extra incentive, I offered a photograph of their choice from the trip if they donated $100.

My grassroots postcard and print effort raised more than $3,000 from more than 120 people.  Not only did these people feel as if they were part of a team ensuring my success, they also received something in return.  People want to help.  I gave them an afford-able way to do it.

So remember that requesting items such as film and processing and offering small things such as postcards can do a lot to increase your funds.  Sure, it’s nice to get a $10,000 grant, but the reality is there aren’t as many of those grants as there are good projects.  Your fund-raising efforts should utilize both.  Don’t be afraid to ask everyone you know for support, and be clever in the way you ask!

Marita Holdaway

 

This series features selected articles from Shooting From The Heart: Photography That Makes A Difference, our highly regarded handbook for photographers developing documentary projects.  If you can’t wait for the full series to be published, feel free to download a free PDF version of Shooting From The Heart and have a copy to keep as your own!

Three Days Left!

Tuesday, December 29th, 2009

Blue Earth

It’s not too late!  There are still three days left before the end of the year to become a member or make a donation - not only can you support Blue Earth and a great team of documentary photographers working on critical issues, but you can also get a credit on your 2009 federal taxes!

As noted earlier, the recession has cut deeply into our donations this past year.  Your generosity will determine whether Blue Earth can continue to support the power of photographic storytelling in the new year.

Become a member or make a donation today.

- Bart J. Cannon, Program Manager

Happy Holidays!

Friday, December 25th, 2009

Elk migrate to lower elevations in search of food. National Elk Refuge, Jackson Hole, Wyoming. © Florian Schulz

Elk migrate to lower elevations in search of food. National Elk Refuge, Jackson Hole, Wyoming. © Florian Schulz

Hope you are enjoying the snow with a few friends…  Best wishes from all the elk at Blue Earth!

“Visions Of The Wild” Relaunched

Wednesday, December 23rd, 2009

Everyone is busy with the holidays, but I just wanted to quickly note that Florian Schulz has relaunched his website Visions of the Wild featuring work from his Blue Earth project.

The site was built, to offer you more of Florian’s photography. We implemented image slideshows, with the option to watch the images at full screen. There is also a multimedia page, with video of us working for the Freedom to Roam project. And we have now included our blog and the online archive within the site as well.

Between shopping trips and bouts of frantic present wrapping, take a minute to check out the photos from some of his latest work in the field!

- Bart J. Cannon, Program Manager

Shooting From The Heart - The Nuts & Bolts Of Writing Grants

Friday, December 18th, 2009

Writing grants can be a useful way to raise money, especially for larger projects. However, don’t rely solely on grant writing for all of your funding, especially because grant makers like to support projects that other people are also supporting. It is a good idea to seek money and goods from friends, business connections, and other individuals who are connected to your work.

Writing grants requires talking with funders. The more direct contact you make and the better your relationship with a funder, the better your chances are for getting money. Just as in asking for gifts or donations of goods or labor, personal connections and relationships help. Don’t worry if you don’t have relationships with funders now: you will develop many after you begin the grant-writing process.

Grant writing is time consuming and not an easy or fast way to get money. You must invest time in building relationships with funders and gaining experience in writing proposals. Be prepared to put in your hours. And be prepared to write and rewrite your proposal several times. After you’ve completed one grant application, the others are easier.

Not every grant is funded. You will almost certainly have proposals rejected. Don’t take it personally, and don’t let it slow you down. If your proposal is not funded, ask your foundation contacts why and inquire if they have other suggestions of where else you might apply.

Following is an outline of the grant-writing process, some tips, and a copy of a grant application, complete with suggestions to guide you through filling it out.

Describing Your Project And Educating Funders About Your Project

One of the most important parts of grant writing is talking to funders and describing your project concisely and easily. This is just as important as writing a good proposal.

Before you begin, you should compose a clear and concise description of your project and the amount of money you are seeking.  You will need this when you are talking to and writing to funders.

Develop, and practice saying, a 60-second statement that describes your project. In addition, write a 100- to 150-word written description. You only want to hit the highlights, not tell the whole story. It shouldn’t be a memorized speech, or even the same each time, but should flow easily and quickly. When you phone a funder or send an e-mail, you won’t have a lot of time to get your idea across. Most foundations are understaffed, and many are family run. They get lots of calls, e-mails, and letters requesting funding. It is important to make your points in a brief and friendly way. You have to make a quick impression.

Because funders receive many grant applications, your project will stand out if they have heard of it or talked to you before they read the proposal. Each call, letter, or e-mail helps to develop a relationship between you and the funder. Most funders know each other, so, if they cannot fund a project, they may send you to someone else. Remember that funders will be more likely to fund projects that are familiar to them or relate to their personal or professional lives.

Identifying Funders

Writing grants is time consuming, so limit your applications to funders who might actually give you money. Don’t waste your time writing a grant proposal if there is only a slim chance you will get it. It is well worth your efforts to identify funders that are likely to be receptive to your proposal.

Make a list of connections you or your project might already share with prospective funders. Consider location, broad content areas addressed by your work, affiliations, friends, gender, age, and so on. It always helps if you can find some sort of connection.

Identify potential funders through recommendations from friends, arts commissions, or foundation directories such as the Pacific Northwest Grant Makers, Forum Directory or the Foundation Center Directory. Cross-reference the information as many ways as possible. For example, reference the listings by region, subject matter, age, gender, arts, environment, education, health, etc.

Make a list of any and all funders that seem likely to fund your project. The list should be long and varied. If possible, do this on a computer so you can add notes as you go. If you don’t have a computer, use index (recipe) cards. The goal of this process is to start with many possible funders and narrow it down to a few.

Look up the funders’ profiles in foundation directories. Each foundation and corporation has its own mission statement and funding guidelines; make sure your proposal fits these guidelines. The profiles will list any limitations, such as geographic location, content area, economic limits, size of project, etc. If your project doesn’t meet the criteria, cross the foundation off your list. (You can keep it in mind for another project or pass it on to a friend.) Now you have a shorter list.

Call or e-mail those on this list to ask for funding guidelines and an annual report. When you call or e-mail, use the short and clear description of your project. State your name, address, and phone number clearly. If you don’t hear from them within a week, call back. You are beginning to educate funders about your project and establish a relationship.

Once you have received the guidelines and reports, read them carefully. The annual report will list projects previously funded.  These will give you a sense of how and if your project fits their mission. If you know anybody they have funded, call and discuss your project. Ask if they think you have a chance. If you have questions, call the funders.  Take the opportunity to give a short statement about your project. Then ask your questions. Write down what the funders say. Listen to their advice about funding.  Don’t ask things that are already explained in the guidelines or reports. You want to develop a relationship but not waste their time.  If your project doesn’t match the guidelines for any reason (cost, time, content, medium, etc.), simply cross it off the list. Don’t try to talk funders into funding you—just move on. Sometimes they will say that all of their money for this year is gone but will suggest that you reapply next year. Be sure to make a note of this for next year! At this point you should have a list of eight to 10 foundations that may be a match for your project.

Now, reread the guidelines. Call each foundation on your list and ask to speak to a grants specialist. Give your name and (again) briefly tell them about your project. Ask if you can discuss it to make sure it meets their guidelines. Tell them you have read the guidelines and the annual report. Be brief. Some grants specialists are more open than others; you might even have a chance to describe different aspects of your project. This conversation will help you determine if it is worth your while to write the proposal or suggest ways to slant your proposal to make it fit the funder’s interests. For example, you might find that a funder doesn’t pay for exhibits, but may fund a research portion of your project. If it doesn’t seem like a match, ask the grants specialist for recommendations of where to go next. Funders usually know and talk to each other.

Based on these conversations, choose three to five funders that will be your prime targets. You will by now know quite a bit about each funder and will likely have established a relationship with them. You should be reasonably sure that your proposal will be in the running for funding. When you begin writing, you will be better able to tweak the proposal to meet each funder’s guidelines and mission.

Filling Out The Grant Application Form

  • Each grant application is different, but they all have the same basic elements. Follow the directions for each grant.
  • Before you begin, make a clean copy of the application form so you have one to write on and one for the final copy.
  • Read the application carefully. Make notes about any questions or requirements that are unclear. Call the grants specialist at the foundation and ask for clarification. Again, when you talk to them introduce yourself and give a very brief description of your project.
  • Follow the directions carefully. If the directions say they want only four pages, don’t write six. If they ask for slides, don’t send prints. If something seems silly, unclear, or unreasonable, call and ask about it. Don’t skip things or change the order without asking.
  • Many proposals are thrown out because the applicants didn’t follow the directions. You want to make it as easy as possible for the funders to read your proposal, and following the foundation’s format helps

Judy de Barros

 

This series features selected articles from Shooting From The Heart: Photography That Makes A Difference, our highly regarded handbook for photographers developing documentary projects.  If you can’t wait for the full series to be published, feel free to download a free PDF version of Shooting From The Heart and have a copy to keep as your own!

Robert Semeniuk In Calgary

Thursday, December 17th, 2009

Robert Semeniuk In Calgary

If you are traveling for a little winter weather, hitting the slopes, or just happen to be in the area this coming February, Blue Earth project photographer Robert Semeniuk will be in Calgary for a lecture and book signing at The Camera Store.  We are proud to note that Semeniuk was the 2007 recipient of the Blue Earth grant and is currently expanding his World Heath Documentary Project to help bring “awareness to the public, especially young people, about what mental illness means and what it means to be mentally ill.”

- Bart J. Cannon, Program Manager

Camille Seaman On The Marc Silber Show

Monday, December 14th, 2009

Camille Seaman On The Marc Silber Show

Could you use some advice from a rising star in nature photography?  SanDisk is a generous sponsor of the ongoing lecture series from the Ansel Adams Gallery/Blue Earth exhibit Changing Earth: Photographer’s Call to Action at Mumm Napa.  Camille Seaman recently appeared on The Marc Silber Show to discuss her work and her approach to photography.  In the interview, Seaman offers advice for taking photographs, and Marc highlights her tips on natural lighting.

Marc will be interviewing additional Blue Earth photographers from the exhibit lecture series in the next few months.  Keep an eye out for updates!

- Bart J. Cannon, Program Manager

Images From Copenhagen

Monday, December 14th, 2009

Our regular readers will know that Blue Earth photographer Gary Braasch is now in Copenhagen reporting on the international climate talks.  Braasch has posted his first photos from the event on his own documentary site World View Of Global Warming (click on the photos for more galleries) as well as his descriptions of the proceedings.  He is committed to staying in Copenhagen through to the end, and we’ll provide updates as appropriate.

- Bart J. Cannon, Program Manager

A Special Message From Our President

Friday, December 11th, 2009

Blue Earth

Closing this year at Blue Earth, we can look back on many achievements, including the acceptance of four amazing documentary projects. But we must also recognize the challenges that lie before us. Today, we are asking all our friends to take a moment to become a member or consider making a donation in order that we can continue our work in the new year.

Though we have slashed our budget and pinched every penny, the ongoing recession has cut deeply into our donations this past year. To be frank, Blue Earth needs to raise $20,000 to keep our doors open.

If we fail to meet our fundraising goals this winter, Blue Earth will most likely be forced to close our office by the end of April 2010.

Highlights Of 2009

This has been an amazing year for Blue Earth!

  • We accepted four new documentary projects for sponsorship.
  • Blue Earth was honored to be the 2009 recipient of the North American Nature Photography Association’s “Community Recognition Award.” Criteria for the award include “service to the nature photography world beyond what one might expect,” and “special programs or products that have revolutionized nature photography.”
  • Blue Earth successfully launched our new lecture series bringing world class photography to the public. The second season of the Blue Earth lecture series is now underway at the Henry Art Museum.
  • In partnership with the Ansel Adams Gallery, we opened a new exhibit “Changing Earth: Photographer’s Call to Action” at the Mumm Napa Fine Photography Gallery. The exhibit is accompanied by a new series of six lectures by participating photographers.

Your Support Is Critical

Please consider this message a call to action. Your generosity will determine whether Blue Earth can continue to support the power of photographic storytelling in the new year.

Become a member or make a donation today.

Larry Ockene, President
Blue Earth Board of Directors

Stephanie Sinclair Makes The 2010 Whitney Biennial

Friday, December 11th, 2009

Congratulations to Blue Earth project photographer Stephanie Sinclair for being chosen for the 2010 Whitney Biennial.  For those new to the art world, the Biennial is a prestigious exhibition of contemporary American art at the Whitney Museum in New York.  Featuring 55 artists, the exhibit will run from February 25-May 30, 2010.

Once agian, our congratulations to Stephanie Sinclair!

- Bart J. Cannon, Program Manager

2010 International Conservation Photography Awards

Thursday, December 10th, 2009

2010 International Conservation Photography Awards

We’ve all been waiting, and the call is now out for the ICP Awards!  Entries will be accepted until February 28, 2010.  Winners will be exhibited at June 19 - September 6, 2010 at The Burke Museum of Natural History and Culture at the University of Washington, in Seattle.

- Bart J. Cannon, Program Manager

More Opportunities For Photographers

Wednesday, December 9th, 2009

Earth Through A Lens
Deadline: January 15, 2010

“Earth Through a Lens” is a juried photographic competition sponsored by the Sustainability Commission of the City of Palm Springs (CA) to celebrate the 40th anniversary of Earth Day. We will display the photographs of approximately 30 finalists for the month of April, 2010 on world famous Palm Canyon Drive in downtown Palm Springs.

The images chosen will focus on beauty in the natural environment, the degradation of the environment by human activity, and attempts to reclaim or restore spoiled habitats. In sum, the photographs will highlight the importance of developing a sustainable environment.

The Living River Juried Art Exhibit
Deadline: January 30, 2010

In celebration of the McKenzie River Trust’s 20th anniversary, the exhibit celebrates environmental awareness and the beauty and vibrancy of rivers and streams of western Oregon and the important role they play in the life of our communities. The exhibition is being held from April 2 to May 1, 2010 at the Jacobs Gallery at the Hult Center, Eugene, Oregon.

Eligibility: This juried exhibition is open to all artists (professional, emerging, and students) who reside in the Northwest. Media/Genre: 2-dimensional and 3-dimensional work in all media will be accepted. Accepted 2-dimensional works must be framed and ready to hang and must not exceed 100 X 100 inches including frame.

Annie Musselman At The Frye Art Museum, Jan. 9th

Tuesday, December 8th, 2009

A Barn Owl that is undergoing rehabilitation leaps from the top of his cage at Sarvey Wildliife Care Center in Arlington, Washington. © Annie Marie Musselman.

A Barn Owl that is undergoing rehabilitation leaps from the top of his cage at Sarvey Wildliife Care Center in Arlington, Washington. © Annie Marie Musselman.

 

Blue Earth is proud to host photographer Annie Marie Musselman presenting “Finding Trust: My Discoveries At A Small Wildlife Sanctuary,” the second in our 2009-2010 lecture series on documentary photography focusing on global environments, social, and cultural issues. Musselman will be speaking in Seattle at the Frye Art Museum on Saturday, January 9 at 2 p.m.

“Finding Trust, the photo essay,” according to Musselman, “began 6 years ago at the Sarvey Wildlife Rehabilitation Center, a small sanctuary about 45 miles north of Seattle, Washington where I live and work as a photographer. In 2002 when my mother passed away, I was left looking for something to hold on to, something real to photograph, and found the Sarvey Wildlife Rehabilitation Center. Located in the foothills of the beautiful Cascade Mountain Range, it is a place where injured, wild creatures come to finish their journey or start a new one. The photographs I produce document the delicate union that exists between humans and animals. It’s not just the actual places where were our lives often intersect, like a park or forest, but the spaces where our emotions meet. The work documents the infirmed animals’ recovery with a sense of wonder as they heal, hoping to return to the wild forests of the Northwest. I hope to capture the palpable emotions in my photographs because I can’t help but contemplate how much we actually know about each other.”

Musselman received her BFA at Principia College in 1996 after a photography apprenticeship in Marseilles, France. Finding Trust won first place in the 2006 Environmental Photography Invitational and was featured in American Photography 22 and 25. Her work has been exhibited at the Seattle Public Library Downtown, The Photographic Center Northwest in “A Delicate Balance”, The Alice Austen House Museum, NYC 2009 and currently at the Ansel Adams Gallery in Nappa Valley, CA. With the intention of expanding her work with animals, Musselman visited Borneo to study and document endangered orangutans in sanctuaries; this work appeared in Newsweek Aug. 11, 2009. Finding Trust is represented by Redux Pictures, NYC. Musselman’s work can also be seen in several magazines including Outside, Mother Jones, Travel + Leisure, The New York Times, The Fader and National Geographic Adventure.

Tickets available at the door.  Free to Blue Earth and Frye members; $10 for non-members; $5 for students with ID.

 

Upcoming Lectures

Annie Marie Musselman - January 9, 2010
“Finding Trust: My Discoveries At A Small Wildlife Sanctuary”

Stephen Harrison - March 13, 2010
“The Brain Through The Eyes Of The Beholder: New Explorations in Art, Neuroscience and Cognition”

Jon Orlando - May 15, 2010
“Warriors for Peace: Stories of Resistance and Renewal”


Is your membership up-to-date?  Renew today and attend all events in the Blue Earth Lecture Series for free!

Gary Braasch In Copenhagen Next Week

Friday, December 4th, 2009

Braasch’s ongoing exhibit "Climate Change in Our World" at the American Association for the Advancement of Science, in Washington DC. © Gary Braasch

Braasch’s ongoing exhibit “Climate Change in Our World” at the American Association for the Advancement of Science, in Washington DC. © Gary Braasch

 

Blue Earth photographer Gary Braasch will be in Copenhagen next week, beginning December 10th and in his words “to the very end,” during the international climate talks to report on key developments.  In addition to taking photographs of course, Braasch will be blogging the event for his own site WorldViewOfGlobalWarming.org as well as the Yale Forum on Climate Change and the Media.

- Bart J. Cannon, Program Manager

Blue Earth Open For Holiday First Thursday Art Walk

Thursday, December 3rd, 2009

If you are in the Seattle area, don’t forget that tonight is the holiday edition of the First Thursday Art Walk here in Pioneer Square.

Since the early 1960s, Pioneer Square’s Victorian storefronts and dusty upper floors have provided a haven for gallery owners and artists alike. Today this artistic community is the center of Seattle’s art scene.

First Thursday in Pioneer Square is the first Art Walk in the USA. In 1981 a group of Pioneer Square art dealers printed handout maps, did small-scale promotions, and on the first Thursday of the month painted footprints on the sidewalk outside their galleries. First Thursday soon evolved into a beloved fixture on the local arts calendar.

This evening the Blue Earth office will be open for the Art Walk until around 7:30 p.m., depending on the crowds.  If you are in the area and would like to stop by and learn more about our projects, our office is located in the lower level (down the stairs) of the Grand Central Arcade at 214 First Avenue S, Suite B-2.

Great art and gingerbread cookies - who could want more?!

- Bart J. Cannon, Program Manager

Project Submission Deadline December 21st

Tuesday, December 1st, 2009

Photographers take note!  Blue Earth accepts project submissions from photographers four times each year, and the last deadline for this year is December 21st, 2009.  Our focus remains photographic projects whose goal is to educate the public about endangered cultures, threatened environments, and current topics of social concern.  If you are a photographer and would like to apply, it’s never too early to submit your materials.

Check out our updated submission guidelines for more details.  If you have applied before, please note that Blue Earth now only accepts electronic submissions.

As always, we’re happy to answer any questions about the guidelines or the submission process - just contact us.

- Bart J. Cannon, Program Manager